MexicanSoapOperaSPcRubber bands have been around since the middle of the 19th century. To use everything on this website, turn on cookies in your browser settings. Read why and how we use cookies. Learn how. Fast Facts You Need to KnowWikipediaOne of the most prominent voices in Mexican music has died at the age of 6. Reports coming from Mexico confirmed that Joan Sebastian passed away on the night of July 1. The legend was born Jose Manuel Figueroa in April 1. Juliantla, where he would also die. Startup Manager Ubuntu Download. He took on the stage name Joan Sebastian to pay tribute to the city of San Sebastian. If youve missed a show, weve got your Daily Recaps. If you wanna take a peek into the future to see whats going to happen on a particular soap, weve got The Scoop. He ventured into acting in 1996 with his role in the Mexican soap opera, T y Yo. In that show, he appeared with his wife of the time, Maribel Guardia. Many of his fans also knew him by the nickname El Rey Del Jaripeo. Heres what you need to know 1. His Cancer Returned Aggressively in April 2. GettyIn April 2. Julian Figueroa, that Sebastian was back in hospital after suffering a setback in his cancer treatments. At the time, Figueroa told the public, via the Latin Times We are going to inform the public so they are aware and so they wont worry about my father. What is happening is that hes under a new treatment that they are testing on my father. The July 12, 2017 photo from Dana Point, California that sparked guesses that the Mexican Navy had arrived in the US Photo from BoatDesign. On July 12th, a. A profile of the General Hospital character Cameron Lewis, part of soapcentral. Whos Who in Port Charles section. They are doing it at the hospital so they can see the results. My father is stable, obviously with the implications of having cancer, but he isnt in greater danger. Sebastian was first diagnosed in 1. He ultimately died at his ranch in Juliantla, Guerrero. Despite his disease affecting his vocal chords, Sebastian never gave up performing, reports the Associated Press. Read about Joan Sebastian in Spanish at our sister site, Ahora. Mismo 2. He First Came to America as an Undocumented Immigrant. Throughout his illustrious career, Sebastian was the recipient of seven Latin Grammy Awards and four Grammy Awards. His style has been referred to as Latin pop, ranchera and grupera music. In total, he recorded 3. The Associated Press notes that he wasnt just famous for his singing, but also his song writing and production skills. He first came to the U. S. in his 2. 0s as an undocumented immigrant, Sebastian settled in Chicago where he worked as a dishwasher and a salesman, reports Univision. Though Sebastian never settled in the U. S. and returned to Mexico. Televisa reported that just weeks before his death, Sebastian had been honored with the Grand Master title by the society of authors and composers in his homeland. His last tweet, he celebrated the 4th of July. His Beloved Horse Godfather Died Just Days Before SebastianGettyHe ventured into acting in 1. Mexican soap opera, T y Yo. In that show, he appeared with his wife of the time, Maribel Guardia. Sebastian and Guardia had lived together for five years and had one son. Prior to going into singing, Sebastian had been training to become a priest, according to his All Music profile. His music was heard nightly in Mexico as the theme music to Univision telenovela Amores Con Trampa. His horse, Godfather, died just a few days before Sebastian, reports Televisa. Back in February 2. Jornada reported that Sebastian had suffered a fall from his horse. Two of His Sons Were MurderedGettyHe suffered two tragedies in 2. Trigo was shot dead during one of Sebastians concerts in Mc. Allen, Texas and in 2. Juan Sebastian, was killed in Mexico. Juan Sebastians death, in the city of Cuernavaca, was thought to have been connected to the drug cartels, something his father denied, reported El Universal. In reality the attack was motivated in a bar dispute in the Grand Hotel Cuernavaca. The shooting got died to the drug cartel wars because of the location. Previously, there had been problems with the gangs at an adjacent night club to the Grand Hotel, known as Classico. His Fans Have Taken to Twitter to Mourn the Star. The legendary singer is being passionately mourned on Twitter by some of his many fans. Read about Joan Sebastian in Spanish at our sister site, Ahora. Che Guevara in popular culture. Appearances of Argentine. Marxist revolutionary Che Guevara 1. Although during his lifetime he was a highly politicized and controversial figure, in death his stylized image has been transformed into a worldwide emblem for an array of causes, representing a complex mesh of sometimes conflicting narratives. Che Guevaras image is viewed as everything from an inspirational icon of revolution, to a retro and vintage logo. Most commonly he is represented by a facial caricature originally by Irish artist Jim Fitzpatrick and based on Alberto Kordas famous 1. Guerrillero Heroico. The evocative simulacra abbreviation of the photographic portrait allowed for easy reproduction and instant recognizability across various uses. For many around the world, Che has become a generic symbol of the underdog, the idealist, the iconoclast, or the martyr. He has become, as author Michael Casey notes in Ches Afterlife The Legacy of an Image, the quintessential postmodern icon signifying anything to anyone and everything to everyone. Che Guevaras likeness has undergone continual apotheosis while being weaved throughout the public consciousness in a variety of ways. From being viewed as a Saintly Christ like figure by the rural poor in Bolivia where he was executed, to being viewed as an idealistic insignia for youth, longing for a vague sense of rebellion. His likeness can also be seen on millions of posters, hats, key chains, mouse pads, hoodies, beanies, flags, berets, backpacks, bandannas, belt buckles, wallets, watches, wall clocks, Zippo lighters, pocket flasks, bikinis, personal tattoos, and most commonly T shirts. Meanwhile, his life story can be found in an array of films, documentaries, plays, and songs of tribute. Throughout television, music, books, magazines, and ironically even corporate advertisements, Ches visage is an ever present political and apolitical emblem that has been endlessly mutated, transformed, and morphed over the last forty years of visual popular culture. This allows Che to operate as both a fashionable de politicized logo, as well as a potent anti establishment symbol used by a wide spectrum of human rights movements and individuals affirming their own liberation. Additionally, his face has evolved into many manifestations and represents a Rashomon effect to those who observe its use. To some it is merely a generic high street visual emblem of global marketing, while to others it represents the notion of dissent, civil disobedience, or political awareness. Conversely, to those ideologically opposed to Che Guevaras belief in World revolution, or to those that resent his veneration because of his violent actions, his propagation represents shallow ignorant kitsch, idolatry worthy of spoof makeovers, parody, or even ridicule. Despite the competing narratives, Che has become a widely disseminated counter culturalsymbol that sometimes even operates entirely independent of the man himself. Hannah Charlton of The Sunday Times made note of the varying uses by postulating that T shirt wearers might wear Ches face as an easy replacement for real activism, or as a surrogate for it. GenesiseditPops depersonalization and standardization simplified Ches image and helped align him with the masses, at the same time certifying his image as everyman. Pops aesthetic pushed towards absolutely unambiguous and uninflected meaning and repeatability. Warholian Pop deals with outlines and surfaces rather than full chiaroscuro. This reduction of the real world provided the perfect vehicle for distancing the image from the complexities and ambiguities of actual life and the reduction of the political into stereotype. Che lives in these images as an ideal abstraction. Jonathan Green, UCR Museum of Photography director4Walk through any major metropolis around the globe and it is likely that you will come across an image of Che Guevara, most commonly a stylized version of Kordas iconic Guerrillero Heroico. An archetype, capable of endless visual regeneration which, depending on your opinion, either helps tell the story of 2. According to Hannah Charlton, editor of Che Guevara Revolutionary and Icon, By the 1. Naomi Klein has called a market marsalaa bilingual mix of North and South, some Latin, some R B, all couched in global party politics. By embodying corporate identities that appear radically individualistic and perpetually new, the brands attempt to inoculate themselves against accusations that they are selling sameness. The next stage is to present consumption as a code, where mega brands, supposedly reflecting the indie values of their purchasing audience, can do so with a knowing irony that of course the buyer can remain seemingly untouched by the corporate values underpinning the transaction. Enter Che the 1. This began the metamorphosis from Che the martyred resistance fighter beloved by many, and Che the violent Marxist revolutionary despised by others, to his dual paradoxical position in the global corporate capitalist culture. The commodification of the image has been ongoing since his death, and since the late 1. UCLA art historian David Kunzle, has described the phenomenon by noting if you go to Havana today, you will not see Che with a gun, you will see him with a rose or a dove. Hes become the Gandhi of Cuba. This abiding renaissance of Ches visage, is chronicled by filmmaker and Guggenheim scholar Trisha Ziff, who explores the genesis, continuing adaptation, and history of Che Guevaras famous image in the 2. Chevolution. 7 In another documentary titled Personal Che 2. Adriana Marino and Douglas Duarte document the numerous ways that people around the world re create Che in their own image. Hannah Charlton hypothesizes that appropriating the aura of Che for brand building, has now given rise to a new resurgence of Che ness that transcends branding in its global appeal. In the shifting complexities of intercultural values, in the search for universal images that can speak across borders and boundaries, todays global image of Che is the most successful. The Che face, more than any other icon according to Charlton, can keep accruing new application without relinquishing its essence a generic and positive version of anti status quo and liberation from any oppressive force, and a general, romantic, non specific fantasy about change and revolution. Some argue that history has transformed Ches revolutionary image into just another fashion accessory. It is tempting for those of us on the left to feel uncomfortable with his popular appeal rather like music fans who, when their favorite underground band hits the big time, moan that theyve gone commercial. I dont see it that way. If only 1. 0 percent of the people who wear the image know what he stood for, that is still many millions. Overwhelmingly, they are also young people, with their hearts set on making the world a better place. Indeed, in my experience, many more than 1. If Ches image seems to be everywhere, that is because what he fought and died for is more fashionable than ever. In advertisingeditTheres something about that man in the photo, the Cuban revolutionary with the serious eyes, scruffy beard and dark beret. Ernesto Che Guevara is adored. He is loathed. Dead for nearly 4.